Nachtleuchten Festival
EventPoster, flyer and Instagram set for a two-day festival in a freight hall.
- 7 formats
- Feed
- Story ×2
- Reel
- Poster
- Flyer
Services
Youreventinthefeed,yourresearchinthejournal
Every format your channels actually use. Print-ready files when the job needs them, at one fixed price.
Story, feed post, poster and flyer come from the same design, each one set up for how its platform or printer crops it. Tell me what is coming up, and you get a fixed price before anything starts.
48 hours
until I reply to your request
2 revision rounds
included in every fixed price
Every format
one design, cut for every channel it has to run on
Fixed price
set before I start any work
Work Samples
SampleProjects
Two complete sample packages, so you can see exactly what you get: a fictional festival and a fictional café, each with its full set of material. The clients don't exist, the work behind them is real. Same formats, same print specs, same effort as a paid project.
Sample project · fictional client
Café Mohnstück
CaféMenu, drinks list and Instagram set for a café with its own bakery.
- 6 formats
- Feed
- Story ×2
- Reel
- Menu
- Drinks list
Want a set like this for your event?
Request an Event PackageA third sample project is in progress. Until then, I'm happy to show you what I'm currently working on if you ask.
Why This Takes More Work
EveryFormatGetsItsOwnAttention
With cheaply produced material I see almost the same pattern every time: one visual gets stretched to fit every channel. Then the logo sits under the Instagram interface, the date falls off the edge, and the print shop is missing bleed. I work through every format individually instead.
01
Danger zones per platform
On Instagram Stories, the profile picture, progress bar, and reply field cover the edges. I place text and logo so the interface never covers any of it. The feed and Facebook use different margins, and I keep those separate too.
02
Nothing important gets cropped out
Key content stays fully visible in every format. If a visual doesn't work in a given aspect ratio, I build a separate version for it instead of squeezing it in.
03
One look across every piece
The poster, the flyer, and the story format use the same colors, the same typeface, and the same logo placement. Your guests recognize the event the third time they come across it.
04
Print files without follow-up questions
3 mm bleed, CMYK, embedded fonts, 300 dpi. Your print shop can accept the file as-is instead of emailing you about missing bleed.
See For Yourself
Pick a platform and switch the zones on and off. The frame is a stand-in, the margins are the real ones I work to.
That's the difference from a template out of a website builder: you only see it once the material is out there and nobody has to ask when the concert actually starts.
TwoEntryPoints
Half of my work runs in feeds and stories, the other half hangs in conference halls. Pick the one that applies to you.
Social Media & Event Promotion
Feed posts, stories, Reel covers, event headers. Plus the poster, flyer, or menu that goes with them, all in one look.
What's includedTechnical & Scientific Graphics
Graphical abstracts, conference posters, figures for papers, technical drawings.
What's includedFocus
SocialMedia&EventPromotion
You're planning a concert, an opening, or a club festival. Most of it will be seen on a phone, so that is where I start: feed, story, Reel cover. The poster and the flyer come from the same design, not from a second one.
Feed post4:5
One motif, cropped for the feed. I set each crop by hand instead of stretching a square into a portrait.
Pick the formats you need.
All six together are the complete event package: one briefing, one fixed price, one delivery date.
Request an Event Package
Your selection goes into the form below.
Focus
Technical&ScientificGraphics
For research, teaching, and technical documentation. I read your manuscript or your measurement data and turn it into a figure that someone outside your research group can understand too.
Heavier weights swing slower and keep swinging longer.
x(t) = x0 · e−γt · [cos(ωdt) + (γ/ωd) sin(ωdt)]
x₀ is the 10 cm start. γ = c / 2m says how fast the swing fades, and ω_d how fast it swings. A heavier m makes both smaller.
This spring swings once every 2.0 s and loses half its swing after 2.3 s.
Drag the slider. This is a live figure, built for a talk or a project page. For a paper, I export the same graphic as a static vector file.
See more live simulationsGraphical Abstracts
Your work in a single figure. I follow the size and typeface specifications of the journal you're submitting to.
Conference Posters
Structured by reading distance: whatever should stick from three meters away sits up top, large. The rest follows in an order you can work through while walking past.
Publication Graphics
Diagrams, schematics, and data plots as vector files. Labels stay readable at column width when the figure is scaled down, because they don't scale with it.
Technical Drawings
Setup sketches, cross-sections, block diagrams. For reports, proposals, and operating manuals.
Also
Logo&VisualIdentity
Some requests start with a flyer and end with the question of what the brand should actually look like. Logo, color palette, typefaces, and a short rule sheet other people can follow too: I do that as well. It runs as its own project with its own briefing, because the scope is hard to estimate while only a flyer is on the table. Just mention it in your request.
Process
FromRequesttoFinalFile
Four steps. You know what the project will cost before step two even begins.
You receive the quote in writing before anything begins. It states scope, price, delivery date, and usage rights. Once you confirm by email, the project is binding, for you and for me.
Frequently Asked Questions
WhatClientsWanttoKnowBeforehand
Three: visual and brand design (logos, corporate identity, social media), user interfaces and mini-apps (web dashboards, MATLAB/Python GUIs, prototypes), and technical content (publication graphics, schematics, conference material). Where you're based doesn't matter — briefing, revisions, and delivery run by email and video call anyway. I only need to be on site when something has to be photographed.
It depends on the scope, which is why there are no price lists on this site. Small pieces like a graphic or a logo start at a modest fixed price; complex visualizations, interactive dashboards, or a full brand project are calculated individually. After the briefing you get a written fixed price with scope, delivery date, and usage rights in it. I work under the German small-business rule (§19 UStG), so there's no VAT on the invoice: the amount in the quote is the amount you transfer. If your company is entitled to deduct input tax, there'll be none to deduct from my invoice. Write to me and you'll hear back within 48 hours.
Small jobs — a logo, a poster, a single graphic — are often done in 3 to 7 days. Bigger ones, like a UI, an interactive application, or a complete branding, we plan in milestones, typically 2 to 6 weeks. Beyond that I deliberately don't quote fixed lead times: a single piece and a full event package take different amounts of time, and it depends on what else is on my desk. Tell me your date and the quote will say honestly whether it's doable. Count your print shop's turnaround in as well. If it's urgent, ask anyway — sometimes it's quicker than you'd expect.
Two. After the first draft you collect your change requests and send them over together, then there's one more round. If that isn't enough, I bill further rounds by effort, and you'll know what they cost before I carry on.
The print-ready and web-ready files go to you in every case, with usage rights for the purpose named in the quote: your event, your website, your publication. If you want to use the same visual for something else later, we sort that out in two sentences. Open working files like InDesign or Illustrator I don't hand over as a rule, so nobody rebuilds my layout one to one; additional variants or formats I produce for an extra fee. One exception: if the job itself is a template, a carousel you fill in yourself for instance, the file is the actual product and has its own higher fixed price. Printing you commission yourself. That way you keep control over paper, print run, and price, and I put no markup on print costs. If you don't have a print shop yet, I'll suggest a few.
A complete piece of work for a client who doesn't exist. I invent an event, design the whole set of material for it, and label it as a sample. That way you can judge the work without me showing client projects that are still confidential or aren't mine to show.
Contact
TellMeWhat'sComingUp
Write to me briefly about the occasion, the formats you need, and your deadline. If you already have a logo, photos, or finished copy, attach them. I'll get back to you with questions or directly with a fixed price.
Prefer email? info@intiknows.de